Donkey Kong Nation

“Always, after he was in bed, there were voices—indefinite, fading, enchanting—just outside his window, and before he fell asleep he would dream one of his favorite waking dreams: the one about becoming a great half-back or the one about the Japanese invasion when he was rewarded by being made the youngest general in the world. It was always the becoming he dreamed of, never the being.” -F. Scott Fitzgerald, This Side of Paradise

Note: This is the first of a three-part post series on competition in the American psyche. Coming on Sept. 10 is part two: “The Battle of 9/11.”

A documentary film was recently released in L.A. called The King of Kong: A Fistful of Quarters. If it comes to a theater anywhere near you, please go see it. The film’s subject matter at first appears rather frivolous: competitive videogaming, specifically the battle for world records in “classic” arcade games from the early eighties like Donkey Kong. Indeed, for much of the first third of the film, you’ll wonder if it’s a mockumentary (in the vein of Christopher Guest). All the talking head stars of the film are about as nerdy as stereotypical gamers get.

But the film isn’t chiefly about making fun of pasty, aging slackers with mullets and fingerless gloves who play arcade games all day. It is extremely funny, don’t get me wrong—one of the funniest films I’ve seen all year. But beneath the ironic 80s soundtrack (everything from The Cure to Animotion) and geeky earnestness of the whole competitive gaming world, Kong is a rather profound—and deeply moving—film.

It’s all about competition—and how obsessive, ingrained, and life-consuming it is. Especially in America. Especially for men. There is this drive within us to be the best at something. Whether it’s winning a gold medal, becoming a successful sauce salesman, being the world’s “foremost military superpower,” or simply holding the world record Pac-Man score, we all desire that glory; that “top dog” status.

The King of Kong follows two men—Billy Mitchell and Steve Wiebe—and their vicious rivalry to see who will ultimately hold the world’s top score in Donkey Kong. Mitchell, a hot sauce salesman from Hollywood, Florida, held the top score from 1982 to 2006, when Wiebe—a 7th grade science teacher and family man from Washington State—came out of nowhere to take the title away. On one level the film is a classic tale of good (Wiebe) vs. evil (Mitchell), but really it is an examination of the pride of victory and the sting of second place, and the ultimate dissatisfaction that comes from both positions.

When we win at anything it is definitely a good feeling, but after reaching any summit, there’s always some other mountain to climb, something else to go after. Being in second place is perhaps preferable: at least there is a definite goal to work toward, an end to focus upon, a definition to our life’s pursuit.

As we see in the Fitzgerald quote above, the becoming of something great—not the being of it—is where the glory lies.

Kong is a beautiful little microcosm of American life. We are a country founded upon competition and an always optimistic ethic of tomorrow: what we don’t have is within reach, what isn’t here today might come tomorrow, who you are today is not who you will always be, etc. It’s a glistening sentiment that makes the patriotic heart beat stronger, but beneath it lies the sad reality of human nature and earthly existence: there will always be someone better, glory is fleeting, legacies are tenuous, and the greatest of the great is still just a candle in the wind.

Even so, competition is a good thing, and certainly no more pointless or temporal than anything else in this life. Competition pushes us forward, and Hegelian progress is made (through the friction of dialectics), even if there are casualties along the way. Competition is innate to humanity, and people like Plato recognized that from very early on. Plato had a term called thymos, which is the essential part the soul wherein man desires recognition, demands respect of his dignity, and feels pride. It is this part of the human soul that allows us to act in contrary (e.g. sacrificing ourselves for some greater purpose) to our reason and other instincts. It is in thymos that our innate sense of justice exists, and—as contemporary scholar Francis Fukuyama argues—where noble virtues of selflessness, idealism, self-sacrifice, courage, and honorability originate.

Thus, while competition can be painful and the fruits of winning rather unsatisfying, it is still the engine that drives a successful society. It is the chief means by which man can begin to understand his identity and see glimpses of his self-worth—and in the process realize that any worth he might have cannot come from anything he can ever do (because even the greatest achievements in the world leave us ultimately unworthy before the vastness of sin and mortality), but rather from some grace-giving Other.