Tag Archives: The Dark Knight

Best Movies of 2008

paranoidpark

Here are my top ten favorite movies of 2008, with an additional 15 honorable mentions that could easily have made the best ten as well. This list has gone through many variations in recent weeks, as I’ve seen a few films more than once or some for the first time. But I’m quite satisfied with the final ten I’ve narrowed it down to. These are the films that thrilled me the most in 2008.

10) Ballast (dir. Lance Hammer): Ballast is a simple, life-affirming (in the true sense) film about how we pull our lives together after tragedy. It’s about resurfacing, destabilizing, and regaining our balance (hence the title). A small, lyrical, beautifully photographed film.

9) Synecdoche, New York (dir. Charlie Kaufman): This is a crazy, brainy movie, loved and loathed by many. Similar in spirit and style to the films he’s written (especially Being John Malkovich and Adaptation), Synecdoche is truly Kauffman’s magnum opus.

8) Wendy and Lucy (dir. Kelly Reichardt): This is a short, quick, devastating film. Reichardt follows Old Joy in theme and style, peering in on a life of quiet despair and world-weariness. It’s a wise, loving, heartbreaking film about what we must do just to survive in an increasingly menacing world.

7) Vicky Cristina Barcelona (dir. Woody Allen): The second really great film from Allen in 2008 (the other being Cassandra’s Dream), Barcelona is a sumptuous feast of elegant, polished, on-point filmmaking. Allen is a master of the craft, and this film is gorgeous, rewarding evidence of that fact.

6) Australia (dir. Baz Luhrmann):
I’m confounded by the paltry critical and popular response to this movie. I simply adored it. It’s a remarkably fun, beautiful, lush film with no pretensions of importance but a keen command of the craft. That is: the craft of outrageous, epic, old school Hollywood artifice that birthed everything from Gone With the Wind to Titanic. A joy to watch.

5) Flight of the Red Balloon (dir. Hou Hsiao-Hsien): Not for those who hate slow movies, because this is a very slow movie. But that is why I love it. It rushes for no one or no thing, and treats its subjects with the sort of delicate, curious gaze that is rarely seen in the post-Tony Scott era of attention-deprived cinema.

4) Rachel Getting Married (dir. Jonathan Demme):
A highly compelling, superbly acted assemblage of intimate, interpersonal moments. Anne Hathaway, Rosemarie DeWitt, Debra Winger, and the whole cast offer a smorgasbord of stylish, humane acting. I think it might be my favorite wedding movie ever.

3) The Dark Knight (dir. Christopher Nolan): Not only the best comic book movie ever, but one of the best action/blockbuster films ever as well. Heath Ledger is one thing (a big thing), but this movie is impressive on so many levels. It’s reassuring that films like this can still get made—super smart films that can still make $700 million.

2) The Curious Case of Benjamin Button (dir. David Fincher):
This is an exquisitely rendered, peculiar mediation on the fact that our lives—whether lived forward or backward—are lived in time. The freshest and best parts of them are only temporary. It’s a film that touched me deeply, perhaps more than any film this year, bringing to the fore those sometimes dormant emotions and deeply rooted recognitions of life’s impermanence that are at once heartbreaking and galvanizing. Props to David Fincher for two years and two films (this along with last year’s Zodiac) that rank among the best and most defining of the decade.

1) Paranoid Park (dir. Gus Van Sant):
This film has stuck with me more than any that I have seen this year. Something about it moved me very deeply; it’s one of those films that had me silent and stunned for the entire duration of the closing credits. Though it is highly sensory and aggressively artistic, Paranoid also has a plot—a simple, devastating plot that will grab you and shake you and make you think about the deep interiors of your life that rarely get glimpsed. It’s a totally unique, thoroughly American masterpiece of the cinematic form that demands to be seen in HD and surround sound.

Honorable Mention: Gran Torino, Happy-Go-Lucky, Cassandra’s Dream, Slumdog Millionaire, Shotgun Stories, The Wrestler, Wall-E, Chop Shop, Burn After Reading, Hunger, Man on Wire, Encounters at the End of the World, Tell No One, Snow Angels, Iron Man.

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