Church Name: Resurrection Presbyterian
Location: Brooklyn, NY
Head Pastor: Vito Aiuto
Summary: Resurrection Presbyterian is a noteworthy hipster church for a number of reasons. Launched in 2004 as a plant of the Redeemer planting network, Resurrection is situated smack dab in the heart of worldwide hipster culture: Williamsburg, Brooklyn. Not only that, but the church is pastored by Vito Aiuto, a full-blooded Christian hipster who is a reverend by day and indie musician by night. He and his wife Monique moonlight as The Welcome Wagon and released their Sufjan Stevens-produced debut album on Asthmatic Kitty in late 2008. The church itself bears many of the typical marks of a vibrant hipster Christian community: liturgy, pews, communion out of a common cup (with real port!), and a strongly infused mission-mindedness that includes local social justice work, HIV/AIDS ministry in Africa, and a leadership development/church-planting initiative known as the Brooklyn Church Project. I attended Resurrection on a steamy, stormy May evening in 2009.
Building: The church meets at St. Paul’s Lutheran church in Williamsburg. St. Paul’s meets in the morning, and Resurrection Presbyterian meets in the evenings. It’s a beautiful old building, with stained glass, organ, and dark wood pews. It’s a creaky, humid structure that fits well with the liturgy, read prayers and quirky renditions of ancient hymns that make up a typical Resurrection service.
Congregation: There were about 100 people in worship on the Sunday I attended (granted, it was Memorial Day weekend), and the crowd seemed to be mostly twentysomething singles and a few young families, with a smattering of older folks here and there. Naturally, there were a LOT of hipsters in attendance, with tattoos, scruffy beards and skinny jeans galore.
Music: The music reflects the style of The Welcome Wagon: pared down, acoustic, vintage, thoroughly hipster but totally reverent. On the day I attended, there appeared to be only two musicians in the worship ensemble—a woman who sang and man who alternated playing guitar, piano, and a number of other instruments. The worship songs were entirely old hymns, including “Immortal, Invisible, God Only Wise,” and “Fairest Lord Jesus.” There were also a number of purely instrumental songs—a tenor sax prelude, a jazzy ragtime-sounding piano solo during offertory and communion, etc. The music was quiet and worshipful and fit the building well. It was about the farthest thing you could get from your typical megachurch rock band or praise team.
Arts: Many artists and aesthetically-minded people attend the church, and the fact that the pastor is an acclaimed indie rock artist indicates that this is a congregation quite naturally and organically “artsy.”
Technology: Almost nill. There are no overhead projectors of any kind, and the music has no bells and whistles whatsoever. It’s a slap in the face to technophile churches everywhere.
Neighborhood: Williamsburg: the epicenter of hip. Though increasingly gentrified, the neighborhood still has its rough edges, ethnic diversity and pockets of poverty, which makes it even more appealing to hipsters. This area of Brooklyn—bordered by Greenpoint, Bedford-Stuyvesant and Bushwick—is packed with trendy bars, concert venues, vegan restaurants, record stores, vintage clothiers and used bookstores, especially along Bedford Avenue. The arts and indie music community in this area of New York is particularly strong, with new Pitchfork-heralded bands emerging seemingly weekly from the lofts and dingy flats of the Brooklyn scene.
Preaching: Vito Aiuto speaks mosts Sundays, though on the day I attended he was absent and associate pastor Chris Hildebrand spoke on the topic of Christ’s ascension (the last part of the “He is Risen Indeed! Stories of Resurrection Life” series). Hildebrand’s sermon, which incorporated quotes from N.T. Wright and references to Google Maps, focused on Christ’s kingly authority and the implications of the ascension on our lives—that Jesus calls us to both humility and hope. In subsequent weeks I also listened to sermons online that Vito preached on a Farmer’s market-inspired sermon series about the fruits of the spirit: “Organic, Local and Beautiful: Bearing the Fruits of God’s Spirit.” It was a fascinating series of sermons because it seemed entirely appropriate and directed toward the hipster Christian audience, and yet thoroughly Biblical as well.
Quote from pulpit: “We don’t want to be the man. We want to be as far away from that as possible. We know what we don’t want to be. But the question is: what do you want to give your life to? What will this church look like? We have a pretty good idea about what church we don’t want to belong to, but what kind of church are we going to be?” (5/31/09)
Quote from website: “A look at our liturgy—the pattern of our worship together—shows that worship begins with God’s gracious movement towards us: God calls us to worship; he tells us of the forgiveness of our sins; he speaks his word of comfort, rebuke, and encouragement; he feeds us at Holy Communion.”