There are many reasons to be excited about the newly expanded field of ten best picture Oscar nominees. Among them is the distinct possibility that some films released in the first half of the year might actually get some best picture love. Imagine that! First half releases usually get little in the way of awards recognition.
This year has already seen some very quality films, though my picks are maybe not on the radar (or even available to see) for most people. Alas, they are great films that you should try to see, and chances are some of them will make my top ten list come December (my top two picks from last year’s midyear list ended up making the year-end list).
5) The Brothers Bloom – (from my review): “The Brothers Bloom is a film that is from start to finish adamantly unreal. It exists in a magical story world where heiresses can juggle chainsaws and con men spend their time playing shuffleboard on 1920s-style yachts. But it’s also a film in which people are shown loving each other, laughing, and doing a Bolero dance under the moonlight. It’s a film with beautiful oceans, sunsets, and epiphanies. That is, it’s a film with a good deal of truth.”
4) Goodbye Solo – (from my review): “It’s a film of remarkable restraint and subtle suggestion, where so many “points” aren’t hammered home as much as they are delicately positioned for us to coax them into place. It’s a rare film in the way that it knocks you down without ever having to so much as blow in your direction.”
3) Silent Light – Carlos Reygadas’ masterful, elemental, and largely silent film about Mennonite infidelity in Northern Mexico is one of the most stunning, surprising films I’ve seen in a long time.
2) Munyurangabo – A film about the effects of genocide, tragedy, and war… but also about friendship and renewal and the life-giving purity of nature. It’s tender, mysterious, quiet, and one of the best films about Africa I’ve ever seen.
1) Summer Hours – (from my review): “Summer Hours is about the beauty and meaning of objects. It raises interesting, profound questions about why we treasure certain things and what gives a vase or desk or painting “value.” … But the film is also about life, and how it is so much more than objects and mementos and the bric-a-brac of our everyday accumulations. It’s about the hours we spend with our families, running around on a summer evening in a forest or field, sipping wine or eating quiche. It’s about the love and passion and sadness we share.”